1 bestseller on Amazon despite the rapper admitting that he’s not much of a reader. The album stems from Logic’s novel of the same name, which quickly became the No. From clumsy stadium rock to reggae-tinged ska, Supermarket is a painful journey across guitar music of the past five decades and makes Lil Wayne’s Rebirth look well-thought-out in comparison.
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It is also nowhere near the most ridiculous thing recorded for a project that also features an acoustic A Tribe Called Quest cover, multiple Thom Yorke impressions, and two Mac DeMarco features. The album finishes out strong with the groovy “Between The Lines,” the upbeat “Sh!t2luz,” and the heavily synthesized “meant2.In all, “Bohemian Trapsody” contains three beat changes, no rapping, and a space-rock chorus. You cannot help but move to its fast-paced, gliding beat that is somehow both chaotic and smooth at the same time. Next is “Twisted!” which has one of my favorite beats off of the album. Anyways, I digress.įollowing the intro comes the plucky, gyrating “Colors,” the confident and catchy “Neo,” and the percussion-heavy “OKWME.” Things then slow down with the wavy “Dididumduhduh,” the type of track you’d disassociate to at a party. To reduce music down to only the intellectual is to strip music of its beauty and the artist their freedom. Music is evocative, generating feelings that we express kinetically through motion, ranging from headbanging to ballet. It’s why we still enjoy foreign music despite not understanding the lyrics. Music, at its most basic level, is meant to be felt and moved to. The notion that music must have some deep lyrical message to have value is not only narrow-minded but objectively false. Personally, I find it frustrating when critics frown upon music made for fun. And that’s exactly what Aminé delivers on, fun. It establishes the message for the project: stop stressing, let’s have some fun.
The project begins with the immensely happy intro “YiPiYaY.” Like the intro off of “ONEPOINTFIVE,” the track starts off with a hilarious pep talk by internet personality Rickey Thompson. It's going to be really fun.” He also commented that this project “taught to not take too seriously when making music.” And when we do these shows, I just can't wait to see the fans going crazy to it. This was more for me to really have fun and dance, and have a really good time. In an interview with Billboard, Aminé explained, “I didn't really want to make anything too introspective and sad with this project. With a chorus of pitched-up vocals over a bouncing, electronic beat, the track demonstrates Aminé’s desire for the unconventional and different. The lead single “ Charmander,” an unexpected hyperpop gem, signaled that he was going to be shaking things up on the project. The project shows Aminé having fun and refusing to be boxed in creatively. “TWOPOINTFIVE” is an explosion of color - the cover art depicts Aminé’s head, warped and distorted, bursting into a splatter of neon colors. In 2018, Aminé began a pattern of palate-cleansing projects with “ONEPOINTFIVE.” He described the POINTFIVE projects in a press release as “breaks in between albums where I give myself the freedom to make music without expectations.” He added that they are “the best of what comes from stream of conscious creation.”
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